Guest Post

HAVE A BOOK TO PROMOTE? Lyrical Pens welcomes guest posts. Answer a questionnaire or create your own post. FYI, up front: This site is a definite PG-13. For details, contact cjpetterson@gmail.com cj
Showing posts with label guest post. Show all posts
Showing posts with label guest post. Show all posts

Wednesday, June 15, 2016

Putting yourself out there: The act of self-promotion.

cj Sez:  Today, Lyrical Pens welcomes novelist D. J. Adamson discussing how she goes about the important business of marketing without breaking the bank. 


I worked in sales and marketing before deciding to self-publish. This background gave me the confidence to go forward. I’d trained many people to successfully sell and market. Combining what I knew before with what I know now allows me to pass on some of the tips I’ve learned about selling and marketing my books.
At the beginning, I played with social media, went to conferences and networked, purchased promotional packages. Did I have success? Some, but nothing that put me on the Amazon’s “most sales list” or matched Hugh Howie’s numbers. 
As a past business person, I know a business needs to eventually run in the black. Maybe not the first year, but eventually. So after two years, I pulled up my expenses and balanced them with my assets. DEPRESSING. Yet, instead of discouraging me, it motivated me to do it all differently. Here is what I found:
1.                   I no longer go to conferences unless the attendees include readers as well as writers.  Writers don’t buy books. Or very few.
2.                  I go to conferences that are close by and don’t cost a flight and hotel to attend. One conference cost me two thousand dollars and I sold one book. I joined active association, like Sisters in Crime, National Women’s Book Association, SCBWI, Mystery Writers of America. I became active.
3.                   I remind myself that I am as good as my last book. I received one award, was nominated for another, and received 4+ stars on my novels. Many Goodreads people “Want to Read” my work, but, sales diminish after the book has been out there for a year. I need to produce one to two novels a year. And let me emphasize, Good Novels. That means, I need to be disciplined in my schedule. I work my writing at least four to six hours a day and spend about five hours a week on social networking and promoting.
4.                  I used to work many social networks. Now, I am only on Facebook and Twitter.  I also limit how much I promote my books, only doing so when I have a special promotion going on, revealing a new cover, or mentioning a launch.  Don’t you thumb right past those twenty posts requesting, “Read My Book”?
I use social networks for networking, not marketing. I meet new people in the industry and by putting myself out there, I am received.
5.                   I use my Kindle freebies only before I launch a new book. I hold maybe one/two .99 cent promotions. I try to do a Goodreads giveaway once a month. I offer two, sometimes three books. I send them by camel.
6.                  I use snail mail to keep others updated on my new work. I’ve found postal mail more beneficial than email. It takes nothing to hit the delete button on a computer. The person getting the postcard has to see what the card is about and who it’s from before giving it a toss in the trash basket.
7.                  I set a dollar limit for promoting a book. If you look around, you’ll realize a whole industry has developed to swallow authors’ dollars, promising to get their books noticed. I have limited my promotional money to $500 a book. I know that sounds low, but I think I have sold more books in this past year than the two years combined. I advertise on free or low-cost sites. Amazon ads have been very successful, and the cost is low. Finding a way to get to readers or promote without spending a lot of money has become actually very fun. I had Fiverr.com create my book trailers. Go to my website http://www.djadamson.com to see for yourself. They aren’t bad. They are also on YouTube, and go figure this, the trailer of OutrĂ© has been seen by almost five thousand viewers. Did that turn into sales? Probably not. But five thousand people learned my name.
8.                  I created a newsletter. “Le Coeur de l’Artiste” reviews books and interviews authors. I publish it monthly. It comes out, like any other deadlined project, on the 15th of every month. Sometimes not until midnight, but one minute before, I press the send button. The newsletter has not necessarily created sales, but it has branded my name as a writer. Plus, I find a great satisfaction in promoting other authors.
Stephen King said in his work On Writing that to write you need to read a lot. You need to read what is good and what is bad. I read at least five-six books a month, just for the newsletter. I also try to read one or two books on promotion and craft.
9.                  I began accumulating email addresses as soon as the newsletter idea came to me. So far, my “Le Coeur de l’Artiste” list is almost two thousand readers. I don’t promote myself in the newsletter, but it can be found on my website. I also offer it to many readers as a PDF.  The newsletter has been so well accepted that I now have a blog, “L’Artiste.” I produce it three times a month. I include others besides authors: musicians, scriptwriters, playwrights, etc. The blog emphasizes that getting the story out has many forms.
10.              There are great books out there on promotional ideas. Read them all. Take an idea, put it on a card then try it out. One idea at a time. If it doesn’t feel good to you or didn’t pan out, throw the card away and pick up another.  Don’t be bashful; ask others to help promote stories. I have rarely been told to “beat it.” In fact, I think it’s a writer’s responsibility to help other writers. We all know how defeatist we can feel when things aren’t going well.

      I am not sure I was helpful to anyone reading this. I am merely sharing my experience so far. I want to write for a long time, which means I need to be sensible about what I do, both with time and money. It might also sound like my whole life is consumed behind my computer. I still teach a full load of classes, grade papers, make dinner, clean house, and find the time to give my family a hug.

      Putting yourself out there is the ultimate KEY to being SUCCESSFUL.  Please share with me your promotional stories, both the horror stories and those that gave you some success. You can reach me on Facebook, Twitter, or my Website. And don’t miss the latest issue of “Le Coeur de l’Artiste.”

cj Sez: Thanks, D.J., for sharing your marketing methodology with Lyrical Pens readers. Lots of great tips in there. I’m keeping my fingers crossed that Suppose runs right up Amazon’s ladder to the Most Sales List.

If you’ve got a question or comment, be sure to let D.J. know, either here or directly on her website. http://www.djadamson.com We’d love to hear from you. Okay, you-all guys keep on keeping on, and I’ll try to do the same.


D. J. Adamson is the author of the Lillian Dove Mystery series and the Deviation science fiction-suspense trilogy.  Suppose, the second in the Lillian series, has just been released.  She also teaches writing and literature at Los Angeles colleges. And to keep busy when she is not writing or teaching, she is the Membership Director of the Los Angeles Sisters in Crime, Vice President of Central Coast Sisters in Crime and an active member of the Southern California Mystery Writers. Her books can be found and purchased in bookstores and on Amazon.





"What did he want to know about me?” 

“If you were still alive.” 

Connivers, murder and the international shipment of drugs unites the local PDs and the Federal Government, and drags Lillian Dove into a hailstorm of manipulation and danger; whereby, she is given two choices: Join? Or die trying.




Sunday, May 22, 2016

Over-Writing

cj Sez:  Overwriting is a problem for new writers, and even experienced writers fall victim to the problem. It’s definitely something I’m guilty of in my early drafts. I recently came across some help and thought Lyrical Pens visitors might be interested as well.

What is overwriting, you ask? Overwriting can be defined as verbosity—a tendency to write too much and/or too flowery. (According to Google, “If a speech or writing style is flowery, it uses too many complicated words or phrases in an attempt to sound skillful.” Sounds a bit like academia to me.) Plain and simple writing is not only okay, it’s easier to read and understand.

A few ways to avoid overwriting:

Start your story where the action is. The beginning of a book is often the most overwritten part. When info dumps and backstory creep into the first chapter, readers (ergo agents) most often put down a book after reading the first few pages, sometimes before the end of the first chapter. Much of the backstory dumps are a result of the author’s newly created history for the character. These are things the author needs to know to create realistic personalities. Readers don’t need to see these facts on the page. They will discern the info either from bits of dialogue or character responses. If the extra pieces of info are important to the story, they can be reworked into later chapters as needed. If they are not important…

Trust your reader’s intelligence. Watch the repetitions. Don’t say the same thing three different ways. Readers really can remember what they read.

Watch the jargon and watch the purple prose. A well-placed new word is
interesting, maybe a touch of flowery language (if the character and the scene call for it), but your reader shouldn’t have to go to Google to find out what you mean. At the minimum, put the word or phrase into context or explain it during some dialogue. Do not, however, try to explain the obvious.

Well-placed metaphors are memorable, and too many metaphors, no matter how clever, are distracting. Symbolism, alliteration and other prose devices don’t tell stories. Emotions, characters and plot do. 

Don’t over-describe the action. I call those unneeded action details “stage direction.” For example: “John walked across the room, stuck the key in the lock, opened the door, and walked into the hallway.”  All that is needed might be, “John left the room, closing the door quietly behind him.” Readers will understand the rest of the action.  PS: Be judicious in your use of adverbs and adjectives.

Don’t over-describe the scene. Yes, scene and a sense of place are vital to the story, but don’t put something into the scene that has no relevance to the story. Describing a character’s office or living room in detail is only important to the degree that it describes the personality of the character. There's an old trope credited to author/playwright Anton Chekhov, that applies to writing. In a letter to a friend in 1889, Chekhov wrote, "One must not put a loaded rifle on the stage if no one is thinking of firing it. I believe the exception would be if an item is a red herring.
Dialogue is not conversation. Dialogue is conversation concentrated. Brief. Always with the story in mind. To quote a recent piece I read: “If two characters shout for several lines of dialogue, neither character needs to say ‘I’m upset.’ Their actions will tell the reader they’re upset.” That’s the familiar Show Don’t Tell rule, though I don’t really understand how the reader will know those two characters are shouting unless you use the dreaded exclamation point, which some famous authors advise have a one- or two-per-book limit. Along that same vein, strong dialogue does not need to be supported by tags such as sneered and roared. Disruptive dialogue tags can distract the reader from the actual dialogue. “Said” and “asked” may be boring, but they help the pacing by being “invisible” to the reader.

To get rid of overwriting, edit mercilessly. Grit your teeth, take a deep breath, and kill your darlings. Okay, save them in a file for future ideas, but delete them from the story.

Do you tend to over-write? Let us know how you handle the purple prose.

Note: I’ve just registered for the Alabama Writers’ Conclave 2016 conference. It’s being held July 15-17 this year in Birmingham, AL. Check it out:  http://www.alabamawritersconclave.org/  

Okay, you-all guys keep on keeping on, and I’ll try to do the same.


cj 

PS:  If you’d like to do a guest post on Lyrical Pens to market a new book, drop me a line at cjpetterson@gmail.com   I can offer topic suggestions, a questionnaire, or you can write on a topic of your choice. Caveat: This site is definitely PG 13.    
PPS:  The "toons" are from Facebook. 

cjpetterson@gmail.com
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