Writing buddies who love to share the music of words ...
The importance of novels and short stories in our society is great. Fiction supplies the only philosophy that many readers know; it establishes their ethical, social, and material standards; it confirm them in their prejudices or opens their minds to a wider world. Dorothea Brande in Becoming a Writer
Thank you following Lyrical Pens over the years, our ups and downs, and a lot of sideways, as we forge ahead with our writing, teaching, and sharing. c j and I had a wonderful time sharing with other authors at the recent Home for the Holidays coordinated by Mobile Writers Guild and hosted by the Mobile Public Library. It brought back so many wonderful memories of these events.
Tracy Hurley and I founded the Mobile Writers Guild, and we brought together the first Home for the Holidays at the library; Tracy in her Santa hat, laughing all the way. We miss you, Girl!
It's a joy to see the tradition continue, an event that brings authors together. As c j said, not a lot of books are always sold at book events, but the opportunity to commiserate, see what other authors have been doing in the quiet of night, and hear readings from their books is heartwarming. We know and understand the hard work and effort that brought them to the podium.
A very HAPPY THANKSGIVING! to all writers and a HEARTY THANKS to our readers!
cj Sez: Authors’ showcase events are notorious for resulting
in few book sales for the authors who participate. The big reason I like to attend
is to get my name recognition out to local readers. Home for the Holidays, co-hosted by the
Mobile Writers Guild and the West Regional Branch of the Mobile Public Library,
took place on Nov 22 and attracted a meeting room full of debut and established
writers with decorated tables displaying their books for sale. I really did
have a good time interacting with other writers and happily sold (surprise) three
Carter, one Deadly Star, and one of the Christmas through a Child’s Eyes
When I look at what books sold, I realize they are all
published by an imprint of F+W Media … in 2015, 2013, and 2008. I’m not sure how
that happened. It was certainly not intentional on my part. I didn’t submit to
F+W media. Those manuscripts were submitted either to Crimson Romance or to Adams Media. It
seems I have a “voice” (i.e., write in a style) that fits their editors’ interests.
That, I think, is one of the keys to writing: Finding your voice, your personal
My first interest was in screenwriting. In 2001, I flew from
Detroit to San Francisco to take a three-day seminar from Robert McKay, who conducted
seminars on screenwriting.
The experience was invaluable because I learned to visualize
my story and how to write in terms of the characters’ action-dialogue-and scenes that show the story. How characters react and
what they don’t say can speak volumes.
I’ve talked with writers who visualize some movie star or
other playing a character in their books. Is that something you do? I can’t do that. I don’t see a specific
person, I visualize the whole characterization—I’ll leave it to Stephen
Spielberg or Francis Ford Coppola (ha ha) to find the best mega-star for the
Most us, and I am very much included in that generalization,
have a wonderful idea on a theme. A lot of writers (me included) also know how
we want the story to end, so that’s all set. It’s the middle that gets
us. It wants to sag. Like an old married couple, sometimes the excitement fades
away. Unless we work at it.
Working at it probably means changing some things around.
For me, changes in the middle almost always mean rewriting the first chapter partially
or entirely more than a few times.
To help me out in this process, I read the dialogue aloud as
I go along. Does it sound natural? Are the sentences too complete and so full
of blah-blah information that they slow the pace of the story? This can happen anywhere, but it very often
happens in the middle part of a story when I’m trying to get the word count I
want/need. Sometimes, I change a character’s name, a story thread, a sentence
structure, or, as was true for Deadly Star, the whole genre (which
went from an action/adventure to a romantic suspense). I also might give the protagonist another
challenge or two (read that, conflict) in order to bring
back/ramp up the thrill.
What do you do to shore up the saggy middle of your story?
And if you don’t ever have one, don’t tell me. I’d feel so inept.
Okay, you-all guys keep on keeping on, and I’ll try to do
PS: Pray for peace;
pray that our leaders.
PPS: I think that picture of me at the library is one of my better shots. %>)