Guest Post

HAVE A BOOK TO PROMOTE? Lyrical Pens welcomes guest posts. Answer a questionnaire or create your own post. FYI, up front: This site is a definite PG-13. For details, contact cjpetterson@gmail.com cj

Sunday, February 14, 2016

A few thoughts on self-publishing


     cj Sez:  When a newly fledged writer, curious about trying her wings at self-publishing, asked me how, I realized that, although I have taken classes and practiced with the manuscript formatting, I am a traditionally published author . . . I definitely need to know more about the self-publishing process. So, I started reading. What follows is some of my top-of-mind thoughts on the subject:

You can publish a manuscript yourself if you’re interested in becoming a little more computer/publication/pricing/distribution literate. If you’re confident in designing a cover yourself using templates; check out: Joel Friedlander's book of templates    http://www.bookdesigntemplates.com/ )

Some popular programs for formatting books are: (text is from a Google search):

Guides for formatting eBooks:  Smashwords (Smashwords Style Guide - How to Format Your Ebook ...    www.amazon.com › ... › Authorship

The Smashwords Style Guide has helped indie authors produce and publish over 130,000 high-quality ebooks. 200,000 copies of the Smashwords Style Guide have downloaded! This guide offers simple step-by-step instructions to create and format an ebook using Microsoft Word.

https://www.createspace.com/

CreateSpace provides free tools to help you self-publish and distribute your books, DVDs, CDs, and video downloads on-demand.


Scrivener is a word-processing/writing program for authors. If you create your manuscript in Scrivener, the program will direct you how to export your document to ePub or Kindle formats (including Smashwords and CreateSpace) that sell on Amazon … ( the Ebook is readable on e-readers).

***
If the thought of learning how to format/export your document for publication is daunting, find reputable people you can hire to format a manuscript to print and digital book and then get a graphic designer for the cover. These should be people recommended by a self-published author you know or like to read. Check out the acknowledgements in his/her book for those names. You might even contact the author.

Being a member of writing group can be especially helpful in your quest. Members of groups such as SCBWI are able to call upon each other for questions about agents, publishing companies, contract clauses, et al. (I’m a member of Sisters-in-Crime, an international group of mystery writers, and I see a lot of freshman writers asking questions of the organization’s members. Always, there are members who have had similar experiences and are willing to offer an informed response.)

Never sign a contract with agent or publisher without having someone look at it first…a lawyer is best because you could be signing away lifetime rights or obligations. I heard the sad story of a lady who thought she signed a contract to pay a publisher $5,000 to print her book. She misunderstood some of the legalese in the clauses, and it ended up costing her more than twice that amount because she couldn’t get out of the contract, and they threatened to sue. Plus, the manuscript wasn’t edited. That opened the door for typos and just plain printing mistakes … the kind of thing that damages the author’s writerly reputation and causes readers to hesitate buying another of her books. The reputation of the self-publishing industry suffers damage as well.

The lesson learned is to never pay a “publisher” to edit/publish your book.

Some small legitimate publishers will help an author self-publish a book and employ a contract clause that requires the author to buy a certain number of books at a price that may equate to about 70% of the list price. That can wind up costing hundreds, but it may be worth it since by selling all those copies yourself, you get all the sales price—not just the royalties (an important contract clause).

If you decide to try the traditional approach for publication and seek out an agent or publisher, Google “submissions for (the genre you'e interested in).” A few dozen names will pop up; some good ones, some not so good. (A clue: Other than a standard fee, reputable agents/publishers do not charge the author for the privilege of representing/publishing the novel.)

Check out a potential site (* see below), make sure your manuscript is perfectly edited before you submit, and follow the site’s submission directions to a “T.” (*One source to check for scams and if someone is reputable is “Preditors & Editors” http://pred-ed.com/  )

Google “query letters” for dos and don’ts on your submission letter.

Whether your novel is to be traditionally published or self-published, there is one last caveat from the Society of Children’s Book Writers and Illustrators site: Make your manuscript great. Before you start sending your story to publishers, you will need to make sure it is as good as it can possibly be.  
 
Choosing Carter & Deadly Star are part of this ! 
Okay, readers, if you have more information to add to this, we'd love to pass it along. Now, you’all guys keep on keeping on, and I’ll try to do the same.

cj

cjpetterson@gmail.com
Choosing Carter  -- Kindle  /  Nook  /  Kobo   /  iTunes/iBook

Deadly Star --  Kindle  / Nook  / Kobo

Sunday, February 7, 2016

Turning nouns into verbs

cj Sez:  Okay, it’s half-time in the Super Bowl and that’s all the time I have to get this post out. So bear with me if there are more than a couple of typos. (sigh)

Reviews and Sales:

Another InD’tale review excerpt:  “Bryn has been her brother’s savior many times. The choices she is forced to make will resonate with the reader long after the story is finished.”


Publisher Crimson Romance is having a Valentine’s Sale on Amazon for the whole month of February. Choosing Carter and Deadly Star are among the deals. There is a HUGE selection. And, both novels are Free to Kindle Unlimited subscribers. 

Now for the post:   

A couple of years ago friend sent me this quote from a fellow blogger, Sol Sanders:  “Perhaps the glory of the English language is that it so expressive. Its remarkable heterogeneous origins have given it an almost limitless vocabulary. And American English, particularly, has used that tool with an enormous flexibility to make it the international means of communication. One is able with a minimum of linguistic dexterity to capture every meaning, or almost every nuance.”

Mr. Sanders’s comments were part of an introduction to his essay on what today’s journalism and media do with the English language. The gist of his post is that journalists and media people overcomplicate their sentences with words that muddy their meanings rather than clarifying them—changing nouns into verbs and, perhaps, calling a shovel a “hand-held, earth-moving tool.” My take on this is that media and journalists employ an old trick of confusing the issue to persuade readers to their (the writer/editor) points of view

Turning nouns into verbs seems a clever way to uncomplicated sentences, but these may also confuse the issue (one I particularly dislike is “impactful;” a noun turned into a verb turned into an adjective by adding ful on the end. What the Sam Hill does that mean?).

The truth is, the English is a living language. It’s constantly evolving as we create new words and new definitions to compliment new technology. The caveat is that the generations cease to understand each other at an almost exponential pace. Many times I need an interpreter to understand teen-talk, and I think if I texted (a noun turned into a verb because of technology), I’d forget how to spell.  I sympathize with teachers who deal with this on a daily basis.

For me as a genre writer, the gloriously expressive English language is what makes my craft so fascinating.

Yes, I use nouns as verbs. Yes, I deliberately obfuscate . . . (adding the disclaimer that it’s for the sake of mystery). I am drawn to the syntax, symbolism, and syncopation of a well-drafted sentence that is the hallmark of successful mystery/thriller/suspense novelists. It’s using that “minimum of linguistic dexterity to capture every meaning, or almost every nuance” that appeals to me, and, I think, to readers of those genres. They want to try to decipher the code, find the clues, and solve the crime. I like trying to confuse the issue.

I’m still working on my craft. How are you doing with your genre?

Okay, back to the football game. You-all guys keep on keeping on and I’ll try to do the same. 

cj
cjpetterson@gmail.com
Choosing Carter  -- Kindle  /  Nook  /  Kobo   /  iTunes/iBook
Deadly Star --  Kindle  / Nook  / Kobo