Guest Post

HAVE A BOOK TO PROMOTE? Lyrical Pens welcomes guest posts. Answer a questionnaire or create your own post. FYI, up front: This site is a definite PG-13. For details, contact cjpetterson@gmail.com cj
Showing posts with label writers in the storm. Show all posts
Showing posts with label writers in the storm. Show all posts

Sunday, January 15, 2017

Martin Luther King, Jr. Day and upcoming events

“The richer we have become materially, the poorer we become morally and spiritually. We have learned to fly in the air like birds and swim in the sea like fish, but we have not learned the simple art of living together as brothers.”  ― Martin Luther King Jr.


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cj Sez: So, tell me, what writer, aspiring to be published, doesn’t want to know more about the language of contract options? Specifically, how much do you know about “Negotiating options in publishing deals?” Writers in the Storm blog spot invited Susan Spann to do a guest post on the subject, and she went into some depth—an article definitely worth reading. And Susan has the credentials to back up her post. She’s an attorney whose practice focuses on publishing law and business. Read all about it here:  http://writersinthestormblog.com/2017/01/negotiating-options-in-publishing-deals/
(And think about subscribing to the blog.)

The following url list of 2017 short story contests came across my desk recently, and I thought you might be interested in one (or more) of them. I haven’t vetted these, so do your due diligence before signing on to any of them.
http://www.aerogrammestudio.com/2016/12/13/short-story-contests-2017/   

Be sure to stop back by on Wednesday, January 18, when Lyrical Pens will focus a spotlight on Mystery Thriller Week author, Stephen Perkins and his new novel Raging Falcon (it’s based on real-life events). 

Find out more about international Mystery Thriller Week authors here:   www.mysterythrillerweek.com   The event runs from February 12 to 22 on Facebook. I’ll be participating and giving away surprises, so be sure to stop by when the page goes public. I'll have more info on Lyrical Pens as it gets closer to the date.   

I'm on a blog tour at other MTW author blogs next week, First up is Christina Philippou’s blog ( https://cphilippou123.wordpress.com/ ) on Monday, January 16 (topic is a question/answer interview).

On Tuesday, January 17, I’ll be on Joe Broadmeadow’s blog (https://joebroadmeadowblog.wordpress.com/ ). I’ll be providing excerpts of “Bad Day at Round Rock,” my short story in the upcoming Western anthology THE POSSE. I’m one of six authors, so THE POSSE offers a variety of human interest stories, all with the usual action you’d expect from a Western. “Bad Day” is a tale of history, mystery, myth, greed, and love, all rolled up into one short story.

You'll have two of my posts to visit on Wednesday, January 18 . . . Lyrical Pens to read the spotlight post on Stephen Perkins and then on to my blog tour stop, where my host will be Jude Roy (http://juderoycajunpi.blogspot.com/ ). Deep point of view is the topic of the post. By the way, Jude was recently named a finalist for the 2017 Freddie Award in the thriller category with his novel, THE LYNCHINGS. Congratulations, Jude!  

If you have a chance to stop by these author blogs, please leave me a note so I can say thanks!

Another thing to think about:  Signing up for my quarterly newsletter for info and occasional prizes. Drop me a note at cjpetterson@gmail.com to subscribe. I’m working to send out the first issue, a one-pager, on March 31, and I’d love to send one to you. (‘Preciate it.)

cj Sez: That’s all for today, folks. You-all guys keep on keeping on, and I’ll try to do the same.


cjpetterson@gmail.com
Amazon Central Author Page:  http://amzn.to/1NIDKC0
Choosing Carter  -- Kindle  /  Nook  /  Kobo   /  iTunes/iBook
Deadly Star --  Kindle  / Nook  / Kobo
Coming in mid-February 2017—“Bad Day at Round Rock” a short story in The Posse, a Western anthology of tales of action, romance, myth and truth.   

More Than Friends is still available on Amazon for a couple of more weeks—six romance novels for less than a buck.   http://amzn.to/2dnqnLJ

Sunday, August 14, 2016

How long should a manuscript be?

cj Sez: I’ve written on this subject before, but I think it bears repeating every now and then. Every author begins their literary careers hearing that writing has “rules” to follow. 

The rules that kept (and keep) hammering away at me were show don’t tell, use active voice, be sparse in writing dialect and also with adverbs and gerunds (those ly and ing words), no more than two exclamation points in the whole story, pay attention to the word count, and on and on. I think we all recognize that rules are made to be broken and are revised as trends and tastes change. We’ve also heard writers point out the exceptions to the rules. The thing is, unless you’re a Stephen King, a James Patterson, or a J.K. Rowling, you can’t count on being the exception. And trying to be the exception to a rule can end in failure, especially for newbies. I read somewhere that for every successful exception to a rule, there are at least 100 or more failures.

I have a friend who told me she had a manuscript in excess of 200,000 words that she wanted to submit to an agent. That got my attention. As a former corporate journalist/report writer, I tend to very tight writing. Too tight, editors have told me, so I’m obviously not an exception to the rules. If that were not so, perhaps I would have seventy novels under my belt as one of my other friends does. (In my dreams.) I love to write suspense and mysteries, and after a recent editor review, I was interested in what agents/publishers were looking for in manuscript length for a paperback or hardcover book (eBooks can be very different). Then I thought, why not research the generally acceptable word counts for different genres? Briefly, this is what I found:

ADULT NOVELS: COMMERCIAL & LITERARY
Between 80,000 and 89,999 words is probably what you should be aiming for in literary, mainstream, women’s, romance, mystery, suspense, thriller and horror novels. Below 80,000 might be considered too short for everything except chick lit books which tend to be in the 70-75,000 range. On the top side,100,000 is said to be okay, but passing that level would make it an expensive book to publish—something a lot of publishers are averse to now.

What I found with regard to the high word count of my friend is the opinion that she may need to do more editing; or perhaps, she’s writing the start of a series, and this is her way of achieving continuity.

SCI-FI AND FANTASY
Because of all the world-building and descriptions inherent in good science fiction and fantasy stories, these novels tend to run longer, into the 100,000 to 115,000 range.

MIDDLE GRADE
Middle grade word counts vary between 20,000 to 55,000, depending on the subject matter and age. With books aimed at 12-year olds (upper middle grade) I saw a range of 40,000 to 55,000 words. On the lower end of middle grade, the suggested range was 20,000 to 35,000 words.

YOUNG ADULT
The word count for YA can easily run between 55,000 to under 70,000, unless it’s YA sci-fi or fantasy where, like adult sci-fi/fiction, the word count is understandably larger.
 
PICTURE BOOKS
These are usually expected to be one line per page for 32 pages, so 500-600 words is a good target.

WESTERNS
Westerns, which are often exciting short reads, can be anywhere from 50,000 to 80,000 words.

MEMOIR
The word count for memoirs is the same as for novels, so a number of 80,000 to under 90,000 is recommended. Unfortunately, memoirists are notorious for writing long because they feel they have to write exactly what really happened. This genre definitely requires a good editor to keep the manuscript under the six-figure length (100,000) that scares off agents.

Where does your manuscript stand when it comes to the word count rule for your genre? I plan to work my way up to smack-dab in the middle of the preferred count. Maybe I’ll have a better shot at agent/publisher acceptance if I’m not hoping to be an exception to the rule.

Another blog heads-up:  Susan Spann has written another great post, this one on “Understanding eBook rights.” Here’s an excerpt:      

“Whether you publish traditionally or as an author-publisher, it’s critical to understand the rights you own—and the ones you give away (even temporarily) by contract. Otherwise, it’s impossible to tell if you’re getting an excellent deal, an industry-standard arrangement, or an offer you should walk (or run) away from.”

Drop by Writers in the Storm to read more:

Okay, you-all guys keep on keeping on, and I’ll try to do the same.

cj
cjpetterson@gmail.com
Choosing Carter  -- Kindle  /  Nook  /  Kobo   /  iTunes/iBook
Deadly Star --  Kindle  / Nook  / Kobo

Amazon Central Author Page:  http://amzn.to/1NIDKC0

Wednesday, July 27, 2016

Busting Copyright Myths

cj Sez:  Copyright law is a thorny subject for anyone working in a creative field. When I recently read an article by lawyer and author Susan Spann that answered a lot of my questions, I thought my Lyrical Pens readers would also find the information valuable. Ms. Spann has graciously permitted me to re-post her July 8 th “Writers in the Storm” blog in its entirety.
Scot sea thistle

“Busting” Some Popular Copyright Myths
By Guest Blogger
Susan Spann
Copyright law can be confusing for authors, especially when it comes to issues like when (and whether) to register copyright in a manuscript, and what to do if you use a pseudonym. While authors need to understand the basics of copyright, myths and disinformation abound (especially on the Internet).
Today, let’s take a look at some popular myths (and truths) about copyright in novels and other creative works:
Myth #1: You have to register copyright as soon as you finish your manuscript.
False. Registration with the U.S. Copyright Office is not a legal requirement for copyright ownership. Copyright attaches to “qualifying works*” automatically at the time of their creation.
Copyright registration is intended to protect “published works” – so authors shouldmake sure that their works are registered with the copyright office within 3 months after initial publication.
(*Short stories, novellas, novels, anthologies, poetry, and similar fiction and non-fiction works all generally qualify for copyright protection.)
Myth #2: A book is not “published” for copyright purposes if you give it away for free, or if you self-publish.
False. Under the Copyright Act, “publication” means “the distribution of copies . . . of a work to the public by sale or other transfer of ownership, or by rental, lease, or lending.”
The Copyright Act does not require that a work be “sold” and does not require any exchange of money (or profits) before the work can be considered “published.” Also, the law does not distinguish between self-published works and those published by a third-party publishing house. Published is published.
Myth #3: Copyright registration offers authors some very real benefits.
True! Copyright registration gives copyright holders some significant benefits under U.S. law. Among them:
  • The right to sue infringers to stop infringement.
  • The right to collect statutory damages (money, in amounts set by law) from infringers.
  • The right to recover attorney fees against an infringer in a successful lawsuit.
Myth #4: If you don’t register the copyright before publication, you can never register at all.
False. To maximize your legal rights in your work, the copyright should be registered within 3 months after the initial publication date. However, authors (or publishers) can register the copyright in a qualifying work at any time.
You may lose some legal rights by filing more than three months after the initial publication date, but others (like the right to sue infringers) can be secured at any time by filing a proper copyright registration
Myth #5: Authors should protect themselves by registering copyright before querying agents or submitting their work to publishers.
False. (Unless the work is already published – which creates a different set of potential problems.) The registration trigger is publication, not queries.
Sometimes authors think they need to register copyright to protect the work from being stolen by unscrupulous agents or publishers. To this, I have one answer: Don’t query unscrupulous agents and publishers. Do your homework and approach only reputable industry professionals. Reputable agents (and publishers) don’t steal authors’ projects. It costs far less (and requires much less risk) to offer a contract.
Myth #6: Traditional publishers always register copyright on the author’s behalf.
False. Many do, but some do not. If you publish traditionally, your contract state, specifically, who will register the copyright. If the language isn’t there, ask for the publisher to add it—and if you don’t know what language to ask for, consult a publishing lawyer.
Myth #7: Registering copyright is difficult, expensive, and requires a lawyer.
False, False, and False. Most copyrights can be registered online at the U.S. Copyright Office website (www.copyright.gov), and registration normally costs less than $50. The website even has a step-by-step registration tutorial that walks authors through the process.

And there you have it…a whirlwind tour of common copyright registration myths and the truths behind them.
We now return you to your regularly scheduled summer fun.
About Susan
Susan Spann writes the Hiro Hattori Novels, featuring ninja detective Hiro Hattori and his Portuguese Jesuit sidekick, Father Mateo. The fourth book in the series, THE NINJA’S DAUGHTER, will release from Seventh Street Books in August 2016. Susan is the Rocky Mountain Fiction Writers’ 2015 Writer of the Year, and a transactional attorney whose practice focuses on publishing and business law. When not writing or practicing law, she raises seahorses and rare corals in her marine aquarium. Find her online at http://www.SusanSpann.com, on Twitter (@SusanSpann), and on Facebook (SusanSpannAuthor).

cj Sez:  There was one more question that appeared in the comments following Susan's post, and I've included it here:

Myth: You cannot register copyright if you write under a pseudonym.

False:  Authors can register copyrights in works written under a pseudonym, using the author's real name OR in the pseudonym itself. However, pseudonymous works that are not registered in the author's real, legal name receive less copyright protection (in the form of a shorter copyright term) than that given to works where the author discloses his or her real name at the time of copyright registration. (Note: copyright registrations are public record, so disclosing your real name when you register does mean people can find it, simply by searching the copyright registry.) 


Thanks so much, Susan.  I hope my readers find as many nuggets in this informative post as I did.    (Note:  I am a subscriber to WITS, and have bookmarked Susan’s blog for future reference:

You-all guys keep on keeping on, and I’ll try to do the same.

cjpetterson@gmail.com
Choosing Carter  -- Kindle  /  Nook  /  Kobo   /  iTunes/iBook
Deadly Star --  Kindle  / Nook  / Kobo

Thursday, September 3, 2015

Post vs. Articles Part II



As a continuation of last week’s post about blogs vs articles, I recently read an article that purported to show the differences between a blog post and an article online. Let’s look at some of the elements they listed:
Article: Casual writing style on a blog post, scholarly in an article.
MC: If you are writing on a travel blog about your vacation or recent mission trip, you could be casual with lots of photos and comments on the fun you are having and give some historical information about the site without being scholarly. However, if you are writing an article for an online encyclopedia about deserts in Egypt, a scholarly style is in order without your comments about the fun you had sliding down a sand dune in Egypt with your children. Note I said scholarly; I did not say boring.

Article: A blog post is primarily your opinion about the topic; whereas, an article post is more factual and doesn’t allow for your opinion.
MC: Don’t be fooled. Readers want to know what the topic will do for them, and they depend on your  help to see that.
Followers are Key: Readers expect more from those they follow. They expect well-researched information, but they want more from you. They want your opinion. They can find a list of facts in any encyclopedia or a quick Google search. If you want them to follow your site regularly and recommend it to others, they must “tune in” to find out what your take on the subject is. They want to know what you think, feel, and opine about the facts based on your experience. A few clicks and they know whether you are regurgitating a list of facts or interpreting the list to assist them to understand the topic. And, yes, they want to be up close and personal.
Caution: Giving out personal information may come back to haunt you. You’ve seen the cops and robbers television shows that send shivers up your spine. Use some practical safety guidelines when giving out family information like home address, children and grandchildren names and pictures, your social security number - gotcha ya! Be smart about what your share with the world you cannot see.
As a freelance blogger and newsletter writer for a wide variety of clients from plumbers to physicians (although what they do is similar in construct: analysis and treatment), I do research on a specific topic with a request from my client. Coupling that information with client personalization: opinion, their services that address the topic, coupons, specials, recipes, etc. all in the same vein, is the difference in whether someone signs up for their site and cashes in the coupons they offer. I could regurgitate facts from Internet research, but the post would be dry as dirt and far too technical for their average client. When I write for IT companies, I include the products—software, hardware, apps—they have tried, along with information on what worked and what didn’t meet their expectations and the hype. These are the experts readers turn to when making purchase decisions.

Article: Grammar and spelling correctly are optional on a blog and optimal in an article.
MC: Ridiculous on sooo many levels.

Do you honestly believe that misspelled words and grammar mistakes, which aren’t intentional like using the word “sooo”, improve your professional appearance online? However, having fun with regional idioms and words you create like I wrote last week with “bloggish” make you as the writer more human and win followers, which is the name of the game. One thing I have always liked about Hope Clark on her Funds for Writers sites is the casual and friendly pictures she posts of herself, her dogs and chickens, her gardens. They bring her to life on the page. I learned quickly to respect her weekly editorials and referral sites for freelance work, contests, grants, etc., but it was her smiling face that lured me in that first year. I’ve been following her for ten years!

Article: A blog post has no interviews; an article has research and interviews from experts.
MC: This no longer applies. They both have interviews and research.

Interviews build credibility for the owner of the blog/website and the person being interviewed. You gain respect for your contact capability and insider knowledge. The expert, well, you know that part.

Create a list of questions to draw from. Use four to six of them that speak to the expert’s specialty. Be sure and include “insider” questions such as what is your favorite writer, quote, book, food, or vacation - anything that makes them more human and humane. Think this doesn’t work? Look at any magazine on the newsstand. Almost 100% of them have at least one interview. Pull questions from those lists to make your list reader-friendly. If you are knowledgeable, readers will keep coming back.

Article: A blog always focuses on SEO’s (search engine optimization); an article doesn’t.
MC: The assumption here is that search engines don’t care about keywords in an article; they let the length do all the work. Not absolutely true.

When Google tightened down on keyword stuffing, some people assumed keywords were a waste of time. If your piece is to promote your new fiction book about preppers in the United States, and you don’t use the title of your book, the words preppers or United States or better yet, preppers in the United States, frequently in the article, particularly the title of the post, how are browsers going to find your piece? I won’t go into the standard way of calculating keyword density here, but there is a basic formula to use. If you want more info, go to http://www.bestseoideas.com/seo-factors/keyword-density-formula-calculation-for-google-seo-6 or http://www.ehow.com/how_2341682_calculate-keyword-density.html. If you type calculating keyword density into your browser, you will see hundreds of other sites as well.

Responding to Comments
Never ignore a comment to your post or article. Never.* Unless you don’t care about what your readers have to say or think it’s stupid, or your disagree so vehemently, you snatch out a handful of hair when your read it.

Take a few minutes to think about what you want to say and then type. A simple “Thank You.” isn’t enough. Come on, you’re a writer, you can think of at least one sentence to explain what you are thanking them for.

Example 1: “Mahala, I agree with your comments about freelance blogging. My experience is….”
“Thank you, Marilyn. I had a similar experience when….”

Example 2:  “Mahala, I completely disagree with your comments about freelance blogging. The people I wrote for were rude and never wanted to pay me more than $10 for a 300-word post! What a waste of my time!!! You shouldn’t encourage writers to take that kind of money.” 
“Thank you for your feedback, Marilyn. I’ve also talked to potential clients who wanted to pay low fees, some as low as .0001 a word. I never work with people who aren’t willing to pay a respectable fee for the research and time it takes to create a professional piece. Best of luck with your freelance work.”
If James Scott Bell, Rhys Bowen, James Patterson, Hope Clark, Stephen King, and other very busy and popular authors can take the time to respond to hundreds of comments weekly, I can do my part in my slip of the world. And, yes, I know that these authors may pay a person to do the responding for them, but what does that say about them? They respect their readers enough to pay out of their own pocket to ensure that each comment gets a personal response.

*Except for obvious spams, which we were inundated with several years ago. This brings up another point. Always, always, always have administrative control over the posting of comments, so that a comment is never posted online for the public to see unless you approved it. It’s a control mechanism that comes with every reputable blog and website vendor, and you can opt in or out of the control.

Headlines (aka as titles)
One final thing about headlines to encourage readers to click on your post/article. In September 20, 2013, Marcy Kennedy, author of Strong Female Characters wrote a guest article on http://writersinthestorm.com, an excellent site with valuable information. It did a beautiful job of explaining how to write killer headlines and why that is important. I mentioned this last week, but it bears repeating. Go to their archives to read the rest of the article. The example on bacon is wonderful. This is the idea Marcy explains:

The Shocking Truth About Doctors (vague) What shocking truth about what? Overweight cardiologists? Anesthesiologists who steal from patients under anesthesia?

The Shocking Truth About What Your Doctor Might Be Doing to Harm Your Health (specific)
Marcy reminds writers to follow with a piece that gives the reader an obvious benefit. What’s the takeaway from the piece? In a piece like this, it obviously needs fact-based research with article references to back it up. This goes back to my post last week. What do you want the reader to see, know, and learn after they read your piece. See previous post in Archives on Blog Post vs Article/August 26, 2015.

If writing headlines send you around the bend (Southern for drive you crazy), go back to the magazine section of the library or newsstand and look at the covers. Magazine marketers are experts at writing headlines, so we will buy their magazine.

Drop me a comment about your experiences with your freelance and personal writing of blog/site posts and articles!

Write Like You Mean It   ~ Mahala