cj Sez: I’m happy
to again be able to talk with you about my path to publication in the hope that maybe you’ll find a nugget in here that encourages you to continue on your
own path.
I didn’t start writing seriously until I moved to Mobile, AL, in
2002. Since then, I’ve written some personal essays and short stories that have been published in several different anthologies, the latest being "Bad Day at Round Rock" in THE POSSE anthology. When
Crimson Romance published my first novel, DEADLY STAR, in 2013, my sister said,
“You wrote a whole book? All by yourself?” Yep, that was the summation of my
perceived writing skills.
My first interest was in screenwriting. In 2000 or 2001, I think it
was, I flew from Detroit to San Francisco to take a three-day seminar from
Robert McKee who conducts screenwriting seminars in different cities around the
United States and has published a book called STORY. His personalization to me in
the book was “Write the truth” which is part of his motto and which I study
hard to do.
The experience was invaluable because I began to visualize
my stories in terms of the characters’ action-dialogue-and scenes that show the story. How characters react and
what they don’t say can speak
volumes. I see my scenes as if I’m watching them happen, as in a movie. I do
know authors who visualize a particular movie star playing the heroine/hero in their
books. Is that something you do? I don’t see a specific person. After I sell
the movie rights (HA HA), I’ll leave it to Stephen Spielberg or Francis Ford
Coppola to find the best mega-star for the role. To be honest, though, I think Pierce
Brosnan would be perfect as the hero in DEADLY STAR.
For most us, and I’m very much included in that
generalization, we have a wonderful idea on a theme. (Let me say right here
that I don’t plot. I’m a pantser or more accurately, a pathfinder. I know how I
want the story to end, but getting there is the exciting part for me.) It’s the
middle that really gets us. It wants to sag. Like an old married couple,
sometimes the excitement fades away after a while—unless, like that old married couple, we work at
it.
Working at it may mean changing some things around. When I
make changes in the middle, it almost always mean rewriting the first chapter
more than a few times. What helps me out is to read the dialogue aloud. Does it
sound natural? Are the sentences so complete and full of blah-blah information
that they slow the pace of the story? I’m currently reading a contest submission that
reads like a daily journal. I appreciate that the author is introducing the
reader to the main character. However, there are no teasers that entice me to keep turning the pages until the middle of page three.
Sluggish pacing can happen in any part of a novel, but it
very often happens in the middle of a story. When the dreaded saggy middle
shows up, I may need to reinvent someone, maybe add another challenge (read
that conflict) or two for the protagonist to bring back the thrill. Structured pacing also suffers when I’m trying
to get the word count up. As a former journalist and an admirer of Robert B.
Parker’s writing style, I write very tight. My first drafts average about
62,000 words. However, extra words that slow the pacing and detract from the
story seem to fly onto the pages when I’m racing to type “The End.”
Once I get the concept down and slog through the research, writing
any story is all about editing and changes. Sometimes, I see a need to change a
character’s name, a story thread, a sentence structure, or, as was true for
DEADLY STAR, the whole genre.
DEADLY STAR didn’t start off as a romance. Over the course
of writing and editing the manuscript, which took about four years (do I write
slow or what?), one of my critique partners thought the story might be marketed
as an action/adventure. Another said it was a woman-in-peril story, a third
said political thriller. Someone even floated the idea that it was sci-fi.
Then, because there was a love scene in the story—let me add
a disclaimer here, it isn’t a bodice-tearing romp—I recklessly entered excerpts
of the manuscript into two romance contests. The judges in each thought the
concept and story were good, except it needed a happily ever after ending. One
judge said she was tempted to throw it against the wall because it didn’t meet
the HEA criterion. I decided the story might work as a romantic suspense novel
if I made a change, or three, within the manuscript and, of course, changed the
ending.
Revisions done, Crimson Romance offered me a contract about
three weeks after I submitted my e-query and synopsis, and DEADLY STAR was published eleven months later. I’d stumbled…been pushed,
really…into the correct genre.
The message is this: Don’t be afraid or unwilling to make
changes in your manuscript but do so with a caveat. Before you make wholesale
changes, be sure you’ve looked at the manuscript as objectively as possible.
Put the piece aside, for several days at least, much longer if possible.
You can ask any of my critique partners, and they’ll tell
you I’m making changes to my WIP as the pages leave my computer and are headed
for theirs. I’ve been known to send an immediate follow-up note screaming in
all capital letters: DON’T PRINT WHAT I JUST SENT YOU. HERE’S THE LATEST
AND GREATEST.
After working with CEOs and vice presidents and directors
who loved to thumbprint every piece of paper that crossed their desks, I do
understand that my words, no matter how beautiful I think they are, are not
carved in stone. And, if I can’t use them in one story, I can save them for
another.
When I do need to consider a wholesale change to my
manuscript, I try to keep in mind that, as one of my critique partners always
said, I am the captain of my story. Change can be a good thing, but to change
or not to change is up to me.
That’s all for now. You-all guys keep on keeping on, and
I’ll try to do the same. And to all my writer friends, I hope all your
characters are happy in your head . . . we're all doing pretty well in mine. Comments? Questions? There's a spot open and waiting for those at the bottom of the post.
cj
And now a word from my sponsors:
COMING ATTRACTIONS . . . Arriving July 10: A new Crimson Romance bundle about athletes
and the sports they love, Bodies in Motion,
includes Choosing Carter (rafting
and off-roading) Watch for it on
Amazon.
Ebook bundles still available on Amazon: More Than Friends
and California Kisses
newsletter sign-up at
cjpetterson@gmail.com
